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Memetic Transference — #RPGaDay2015, Day 1

So, funny thing…  Out of the clear blue, I get an update through my feeds, telling me that Ironbombs has done some recent posting, all with this blogger meme from Autocratik (I swear, I love the Sovietization, but I want to put two “k’s” into his web address).  And being Ironbombs, he’s a couple of days late to the party.

Naturally, this means that, if I am to engage in this as a dust-clearing exercise, I’m going to be closer to a week behind.

Oh, well.  No one has ever accused me of being hot on the button on these things.

Day 1 – Forthcoming Game You’re Most Looking Forward To

Had it not already been scooped by Ironbombs, it would probably be Torg Eternity.  I had the chance to talk to several of the developers at Gen Con, and the tweaks that are being made to this system and setting are enough to make me giddy already.  I own several copies of the original run (including the now-rare and inexplicable Revised & Expanded hardcover from the Gibson Era of West End Games), but from the sound of it, those are going to be pleasantly obsolete within a short time.  There are a number of things that I’ve been cautioned not to reveal until the involved parties have made announcements (it’s kind of nice being a known quantity to some of these guys), so I’ll hold off on the juicier aspects.  Suffice to say that, of all people, Greg Gorden is fully in support of the new direction of things, so any lingering doubts have vanished with that.

I will be honest, though.  I didn’t think this day would ever come.  The original incarnation of West End Games went bankrupt in 1998, languished in the hands of a weird French gaming company for a couple of years, and was eventually sold to Purgatory Publishing in 2004.  Torg itself languished until the “Kansas Jim” edition was published in 2005, which had the support of a couple of lackluster PDF modules and little else.  Even at the time, it felt like a quick and dirty way to sell warehouse stock.  This is not to say that it wasn’t a quality book.  It just needed more support than the hand-waved scraps it was given.  And then, in 2010, Ulisses Spiel got hold of the license and little else was heard.

It’s interesting, really.  There wasn’t much press regarding the acquisition of Torg by a German company, and once they’d finalized the sale, there wasn’t anything further on the public side.  Apparently, they had contacted many of the old WEG luminaries some years back, only to be met with a collective shrug.  It wasn’t until some of these same writers (on their own initiative, from what I was to gather) changed their minds and started assembling a stable of interested contributors that it got traction.  And here we are.

So, what is my actual game of interest?

Ryuutama, of course.

I put in post-Kickstarter money to Kotodama when I found out about this game, based on everything I read about the game in the aftermath.  It hasn’t been exactly speedy in its release, but I can hardly blame these guys, being that it is a side job for them.  (I actually talked with Andy Kitkowski at Gen Con one year, along with Atsuhiro Okada.  Nice guys.  The pity was that it was just a chance encounter, rather than something I was more prepared for.  Someday, I would love to have drinks with these guys, just hanging out and talking games.  Preferably somewhere in Tokyo.  But I digress.)

As I’ve said earlier, I am singularly ill-suited to run this game without a lot of prep.  It’s nothing like the sort of games that I would normally find myself putting together, but the challenge that this poses offers me some interesting insights.  It’s not often that I find myself in a gaming situation where I have to give this much thought to how a game should run or what sort of obstacles I should populate it with.  It’s actually sort of refreshing.  (All too often, I tend to tweak a game’s setting to conspiracy and eldritch horror; as one friend said, we only really run one type of game.)

The nice thing is that, apparently the print edition of Ryuutama is going to be showing up at the distributor sometime in the next month.  And unless I utterly borked up my order, I’ll be getting a copy of both the limited and the general release version.  You know, the shelf copy and the play copy.  From that point, I can dedicate myself to learning a new system and figuring out how to run it as it was meant to be run, rather than than how my natural tendencies would have me doing.

Other contenders for this honor:

Blue Rose, the AGE edition.  I put in for this Kickstarter, despite the fact that I have never a) played the original, b) played anything with the Dragon Age RPG rules that this is based on, c) paid any attention to the Titansgrave hoopla, or c) actually had a group for which this game might be appropriate.  The truth is, much like Ryuutama, I want to see things that I otherwise have not been likely to put into my own home games.  I’ve heard great things about the AGE system, outside of the Dragon Age setting, to the effect that it is supposed to be one of the better fantasy engines around.  And trying to put paid to some different gaming tropes would be a fine thing, just to shake things up a bit.  I’ve done the D&D tropes to death over the years, so breathing new life into these games is somewhat necessary.

Force and Destiny.  I don’t know as this counts, precisely.  For one thing, it officially released about a week ago, and I doubt very much that it differs in any substantive way from the Beta that I’ve been running games with over the last year.  That said, it will be nice to finally have my hardcover going up on the wall, to join the ever-growing FFG Star Wars line.  And what the hell, I’m sure that there are enough tweaks to make the new edition shine.

Apocrypha.  This one is a weird one, to be honest.  A card based RPG that might actually have some staying power.  There have been some other attempts at card-based RPG’s in the past, such as Dragon Storm, which had fairly limited success.  The backstory reads like a World of Darkness campaign, which is interesting in its own right, and the game is put together by Mike Selinker’s Lone Shark Games, who are generally responsible for Paizo’s spate of card games.  (Which, to be honest, may well be card-based RPG’s, but since I don’t personally know anyone who’s actually bought and played them, I’m not going to commit 100% to that idea.)

Lone Wolf Adventure Game.  I can’t exactly claim this one anyway, since I managed to pick up my Kickstarter copy at Gen Con.  (Signed by Joe Dever!  Whoo!  Very nice man, who seems mildly nonplussed to be so universally regarded.)  I haven’t perused it as yet, but I want to devote some time to it when I can.  The rest of the KS rewards are coming at some future point, so I guess I could have hinged my entry on that ideal.

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